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25 February 2007

Perfect binding film

Perfect binding demonstration- with quarter-bound cover.

21 February 2007

links for 2007-02-21

20 February 2007

inconsequentialog

Link: inconsequentialog.

Ruth Millar's blog often features book arts links and things that cross over between (as might be expected of an Interactive Media Publishing student) digital, print media and forms of making and consuming.

She hasn't posted in a while, but I'm looking forward to having a good dig in the archives.

N.C. & the Oaten Monocle

Abandoned by his host family in England on a cultural exchange visit in the 30's, the young Chimbonda wanders a disused mansion and discovers a plot to smear cyanide on the monocles of great public figures.

tealeaves


tealeaves, originally uploaded by aesop.


I'm collecting material for a book about tealeaves, working from things to do with interpretation, work and the possible. It's just the beginning.

links for 2007-02-20

Treehouse

I have got to build me one o' these.

Exchange works

These exchange artists book works work well in the long-format moleskine sketchbooks. The format seems to become a container that makes the work possible

shadowy notebook

Apelad shares his sketchbook full of hoboes.

via

there's something about these close up movies of sketchbooks being turned over that is just as interesting as the contents, to me. Book art? Film? Or what?

19 February 2007

Book In Hand

Book in Hand is another book art show I won't get to. It's in New Haven this time, but at least there is a good slideshow for it. Looks pretty interesting.

BOOK IN HAND
February 17 - March 18, 2007
Artists' Reception: Saturday, February 17, 5-7 PM
Performative Multimedia Lecture by Pattie Belle Hastings: Sunday, February 25, 4-5 PM
Gallery hours: Saturday-Sunday 12-5pm (+3rd Fridays, February 16 and March 16, 4-7 PM) FREE

Arts + Literature Laboratory (ALL) is proud to present an exhibition of artists' books juried by Pattie Belle Hastings. The scope of this exhibition presents a wide-range of books in scale and complexity by twenty-six artists and/or collaborators. Unlike many book arts shows with glass-encased viewings, gallery visitors are encouraged to handle and read these books. This show celebrates and affirms, in this digital age, the materiality of the book.

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May 2008

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